UNBORN WORD of the day


MERCY INCARNATE: THE ANNUNCIATION OF THE LORD TO MARY

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Annunciation by Bradi Barth

This year, because March 25th fell in Holy Week, the great feast day of the Annunciation of the Lord to Mary has been moved to Monday April 8, 2013. This feast day also marks the Incarnation of Christ our Lord. Due to this date change, Divine Mercy Sunday (the 7th) and the Annunciation (the 8th) are back-to-back.

This fact draws our attention to the incredible testimony to the Mercy of God contained within the mystery of the Incarnation of Jesus Christ. At the beginning of his 1980 encyclical letter Dives in Misericordia, On the Mercy of God, John Paul II recounts the understanding of God’s mercy found in the Old Testament, then he comments:

“Christ confers on the whole of the Old Testament tradition about God’s mercy a definitive meaning. Not only does He speak of it and explain it by the use of comparisons and parables, but above all He Himself makes it incarnate and personifies it. He Himself, in a certain sense, is mercy.” (#2)

Later in this same encyclical John Paul II speaks of Christ’s messianic program as a program of mercy, relying upon the prophet Isaiah to help define it as “the revelation of merciful love for the poor, the suffering and prisoners, for the blind, the oppressed and sinners”. (#8)

Mercy is etched upon the life of Christ from Incarnation to Ascension. We are all daily beneficiaries of His program of Mercy. But John Paul II goes a step further: “Christ’s messianic program, the program of mercy, becomes the program of His people, the program of the Church.” (#8)

The worldwide Pro-Life community has always identified itself with the Mercy and forgiveness of God and must continue to emphasize this Program of Mercy. In the unborn and newborn Christ Child we see that God’s mercy is humble, vulnerable and therefore open to misinterpretation as mere weakness. But the Christ child’s humility and vulnerability, like Mercy and forgiveness are expressions of the redemptive power of God. The Pro – Life movement must continue to reflect mercy and forgiveness, in order to reach out to those most invested in so-called “abortion rights” and the destruction of humble, vulnerable human life.



The Dream of St. Joseph by Francisco Rizi 1665, Indianapolis Museum of Art Indianapolis, Indiana
December 24, 2012, 11:17 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Indianapolis Museum of Art

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The Dream of St. Joseph Artist: Francisco Rizi

In a subject that became popular in Spain during the 17th century, an angel appears to St. Joseph in a dream and explains that Mary has miraculously conceived a child. The luminous angel points to a vision of Mary with the infant Christ in her womb and the dove of the Holy Spirit above her. The veneration of the expectant Virgin as protectress of women in childbirth was prevalent at the Spanish court and was promoted by the royal confessor. Francisco Rizi was the Spanish-born son of a Bolognese painter who went to work for Philip II at the Escorial in 1583. Rizi, who became royal painter to Philip IV in 1658, was also active as a stage designer.

“An angel of the Lord appeared to him in a dream, saying, ‘Joseph, son of David, do not fear to take Mary your wife, for that which is conceived in her is of the Holy Spirit; she will bear a son, and you shall call his name Jesus, for he will save his people from their sins’ (Mt 1:20-21).

There is a strict parallel between the “annunciation” in Matthew’s text and the one in Luke. The divine messenger introduces Joseph to the mystery of Mary’s motherhood. While remaining a virgin, she who by law is his “spouse” has become a mother through the power of the Holy Spirit. And when the Son in Mary’s womb comes into the world, he must receive the name Jesus. This was a name known among the Israelites and sometimes given to their sons. In this case, however, it is the Son who, in accordance with the divine promise, will bring to perfect fulfillment the meaning of the name Jesus-Yehos ua’ – which means ‘God saves.’ “   John Paul II, Redemptoris Custos 



Apokalypse Maria-Ekklesia by Gottfried Bernhard Goz 1749/50, Die Wallfahrtskirche Birnau, Lake Constance, Germany
December 21, 2012, 9:46 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Die Wallfahrtskirche Birnau (The Pilgrimage Church of Birnau)

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Apokalypse Maria-Ekklesia (Presbyteriu Deckenfresko)

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Detail of Christ In the Womb

Birnau is a pilgrimage church at the shore of Lake Constance, between Meersburg and Überlingen. It was built in 1746-1749 for the Cistercians monastery of Salem (Germany) by Austrian architect Peter Thumb. The church interior features notable frescoes by Gottfried Bernhard Göz as well as altars and stucco ornaments in rococo style by Joseph Anton Feuchtmayer.

“In being born among us, may the Child Jesus not find us distracted or merely busy, beautifying our houses with decorative lights. Rather, let us deck our soul and make our families a worthy dwelling place where he feels welcomed with faith and love. May the Blessed Virgin and St Joseph help us to live the Mystery of Christmas with renewed wonder and peaceful serenity.” Benedict XVI General Audience, December 20 2006



Pregnant Madonna,The Sanctuary of St. Mary of  the Assumption, Bogenberg, Austria
December 21, 2012, 8:18 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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The Sanctuary of St. Mary of  the Assumption (Pilgrimage church Mariä Himmelfahrt)

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The Sanctuary of St. Mary of  the Assumption (Mariä Himmelfahrt) Shrine Interior

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Pregnant Madonna

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Pregnant Madonna (detail)

The Sanctuary of St. Mary of  the Assumption in Altotting Bogenberg on a hill overlooking the Danube is the second largest and oldest pilgrimage site in Bavaria.
The special feature of the arc mountain church is the sculpture of the pregnant Madonna (window in the womb with baby Jesus).  Bogen’s greatest claim to fame is this shrine to Mary high atop Bogenberg.

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According to the legend, the Romanesque stone sculpture of Our Lady was found floating upstream on the Danube in 1104. In 1295 the chronicle of Oberalteich monastery for the first time mentions the legend of how the miracle-working statue which is revered in Bogenberg Church was found. According to that legend the statue had been floating upstream in the Danube and had landed on a rock in the river, which appears when the water level is low. This rock is still called “Marienstein”, i.e. Marys stone. Count Aswin of Bogen is said to have recovered the statue from the rock and to have taken it to the chapel of his castle. Then a church was built on Bogenberg Hill for the statue and the hill with the church was given to the monks of Oberalteich, who encouraged the pilgrimage to the miraculous statue. The statue shows Holy Mary heavy with child. It is also the reason why many of the pilgrims who came/come to Bogenberg were/are women praying for a good childbirth.

“In Advent Christ rested in Mary still, silent, helpless, utterly dependent. The Creator trusted Himself to His creature….This was a foreshadowing of what the Incarnation would mean for us; for in us too, Christ rests as He rested in Mary. From the moment when the Christ life is conceived in us, our life is intended for one thing, the expression of His love, His love for God and for the world…. We must allow the Christ life to grow in us in rest. Our whole being must fold upon Christ’s rest in us, as the earth folds upon the seed.” Caryll Houselander, The Passion of the Infant Christ (London: Sheed and Ward, 1949).



Gosler Town Hall Interior, 1505-1520, Goslar Town Hall Goslar Germany
December 18, 2012, 7:25 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Gosler Town Hall Interior

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Verkündigung Mariä

The Huldigungssaal in Goslar town hall was built from 1505 to 1520 as a Council Chamber. Here is a unique gem of late Gothic art : walls, ceiling and even the window recesses are completely lined with paintings. Varied carved tendrils crown the individual whiteboards. Each and every painting is a work of art that fits in with the overwhelming impression.. It took many years but the Huldigungssaal has now been restored, with security, climate and lighting upgraded to keep this unique ensemble of artwork in pristine condition.

“The Word took possession of her chaste womb, where He was to dwell for nine months the first nine months of His sojourn on this earth. And in that temple He at once began His work, that of loving God with a human heart……All His perfect acts of love, of praise, of reverence, of service, His acts of patience and humility, of meekness and suffering, of sacrifice and mort ification and all the rest, passed up to God through Mary. From that sacred temple a fragrant incense was continually rising to heaven “a sweet smelling savor”, sweeter than either earth or heaven had ever known before. For all those acts were perfect in God’s sight, worthy of His acceptance; they were the acts of a perfect man. And they were also infinite because they were at the same time the acts of God Himself.” Mother St. Paul, Nativitas Christi (London: Longmans, Green and Co. Ltd., 1937), 145



The Decree of Redemption by Konrad Witz, 15th Century, Gemäldegalerie Berlin Germany
December 16, 2012, 11:25 am
Filed under: Advent, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Gemäldegalerie Berlin Germany

Konrad Witz Trinity and Visitation

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The Decree of Redemption by Konrad Witz (Click here to see enlarged copy of painting)

Richly ornamented with a gold background this painting shows us the Divine sphere. The invisible Mystery of the Trinity is made  visible. God the Father sits on a throne. The book is opened. The Holy Spirit is hovering as a dove. Our redemption is being pondered. The Lamb looks to Christ who is worshiping the Father. The Son is being sent. The key locks the circle. The key starts at the heart of the Father and points to the halo of the Son where it ends with a cross. The Divine decree is the Incarnation of God – the Son is being sent for the Redemption of the world. The Innocent (the Lamb) is to be sacrificed in order to bring the Divine love to humanity.

The Incarnation has already taken place in the womb. The right section of the painting shows Mary and Elizabeth as pregnant women, with John and Jesus in their wombs. Here sits the unborn Baby Jesus in the womb of Mary as on a throne and the unborn John kneels, folds his hands and adores the Redeemer. The Divine is in the world. The thoughtful look of both Women indicates the understanding each has of the Unborn Redeemer. Mary is the Virgin with flowing hair and an open ear, she has just heard the word of the Angel affirmed by Elizabeth. Her blue dress of heavenly fidelity speaks the Magnificat. The letters of this song of praise adorn the Mantle of her cloak embroidered in gold Letters. Elizabeth is the old and wise woman in the red dress. She looks with love into the transcendent distance at the Counsel of Redemption. The views of  both women draw the viewer, to involve them in the wonder of this Event.

“O King of nations, as I look back through the ages and see the Child and His Mother so clearly set forth in promise and prophecy, in type and example, when I think of Thy plans for the Redemption of the world, made from all eternity and gradually unfolding as the fullness of time approached, when I think of the nations all desiring Thy coming, when I think of the intense desire of Thy loving Heart, there is one thing that seems to jar and to be out of harmony with the rest, and that is the lamentable want of desire in my own heart ! The time is very short now, the Child with His Mother are already on the way to Bethlehem. Oh! Let me multiply my Acts of Desire that my little King when He comes may be indeed my ‘desired One’ too.”  Mother St. Paul, Ortus Christi, pp. 124.125.



Pregnant Virgin 1500 -1600, Cistercian convent, St.Marienstern Panschwitz-Kuckau Germany
December 15, 2012, 11:21 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Cistercian convent, St.Marienstern

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Pregnant Virgin

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Maria in der Hoffnung

Our Lady Expecting, Our Lady of Hope

Pregnant Virgin

In 1996, Medievalist, Markus Bauer visited the Cistercian convent, St. Marienstern, in Panschwitz-Kuckau — a small village with a population of 2400 and located in the Sachsen part of the Lausitz area in search of material for an historical exhibit. The historian found three sculptures of the Blessed Virgin Mary, each with an opening in the stomach, where the viewer could see a miniature carving of the unborn Christ Child.

Such sculptures were highly valued devotional objects in the 14th and 15th centuries. In the 19th century, this type of devotional image no longer spoke to the souls of the sisters in the same way, so they hung a cloth over the stomach opening, or they nailed the opening closed. Since the covering for one of these Marian figures was missing, it was put away in a remote cell, where it stayed to the present time.

“It would simply weary the reader to repeat almost word for word this description of our dearest Lord’s life in the Womb, changing the phrases to apply it to the Blessed Sacrament. The parallel is so complete, that it must already have suggested itself; and I have dwelt upon it at greater length, because, as the devotion to the life in the womb is especially a devotion of interior souls, so the corresponding thoughts with regard to the Blessed Sacrament are those which are most familiar to interior souls in their prayers before the tabernacle; and again as all the mysteries of the Sacred Infancy take their color and character from the life in the womb, to establish the analogy between it and the Blessed Sacrament is in truth to establish the analogy between the Blessed Sacrament and the Sacred Infancy altogether.”   The Blessed Sacrament, Fr. F. W. Faber



Heimsuchung von Maria und Elisabeth (the “Visitation”) 1460, Kremsmünster Abbey, Kremsmünster, Upper Austria
December 14, 2012, 12:22 am
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Kremsmünster Abbey

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Heimsuchung von Maria und Elisabeth (Mary and Elisabeth Meeting)

In Christian art Mary’s pregnancy was broached not only in scenes with Jesus as an unborn child but also in pictures of the virgin mother by herself or in association with the Eucharist. Depending on how realistic or symbolic the picture was meant to be, her pregnancy was made evident as a rounded belly, by showing the figure of a child, or by having “IHS” marked on Mary’s stomach.

The original portrayal of this theme was the veneration with which, during her pregnancy, Elisabeth greeted Mary: “Blessed are you among women, and blessed is the fruit of your womb!” (Luke 1,42) This Bible text became widespread due to the “Ave Maria” (Hail Mary) which became part of the Advent liturgy in the 7th and 8th centuries and as of the 13th century had become one of the most important Christian prayers. In medieval times portrayals of Mary and Elisabeth meeting (the “Visitation”) became very common. From around the year 1300 the children were shown in front of their mothers’ bellies as can be seen in this painting from Kremsmünster (around 1460).

“John was ‘filled with the Holy Spirit even from his mother’s womb’ by Christ himself, whom the Virgin Mary had just conceived by the Holy Spirit. Mary’s visitation to Elizabeth thus became a visit from God to his people.” Catechism of the Catholic Church, Article 8, 717.



Verkündigung Die Ungeborenen Jesus Artist: Friedrich Herlin 1462, Stadtmuseum Nördlingen Germany
December 13, 2012, 9:22 pm
Filed under: Advent, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Stadtmuseum – Nördlingen,Germany

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Flügel des Hochaltars aus St. Georg (Wing of the high altar of St. George) Full Altar wing

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Verkündigung Die Ungeborenen Jesus (detail of Altar wing)

The wings of the high altar of St. George’s Church (1462) 1462 were a complex altarpiece created by Friedrich Herlin for the Church of St. George, where he acted not only as painter of the panels, but also as an entrepreneur who co-ordinated the other artisans and carpenters.  This Visitation detail show another common way unborn Jesus and John were recognized in Visitation paintings of this period. Light is emanating from the wombs of the two mothers.

When the Angel appeared to Zachariah – he made a number of predictions about John the Baptist before his conception. One was “He shall be filled with the Holy Ghost even from his mother s womb” (Luke 1: 15) Here is what one writer says about the fulfillment of this Angelic pronouncement.

“Six months later, Elizabeth who had been waiting in solitude and silence for God to fulfil His designs, received a visit from the Mother of God, and the Precursor and the Messias Who was to come were brought into close contact. We cannot doubt that it was at that moment when, as Elizabeth said “the infant in my womb leaped for joy”, that John was “filled with the Holy Ghost”. Thus God cleansed His Precursor before his birth from the stain of original sin, again showing us that those who are to prepare for the Coming of His Son must be distinguished by their purity.” Mother St. Paul, Ortus Christi, p. 35.



The Visitation 1310, Metropolitan Museum of Art, New York City
December 6, 2012, 12:31 am
Filed under: Advent, Pro-life, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

Metropolitan Museum of Art

Metropolitan Museum of Art, New York City

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The Visitation This artwork is currently on display in Gallery 304

Soon after the Virgin Mary learned of her miraculous conception of Jesus, she visited her kinswoman Elizabeth, who was also expecting a child, John the Baptist. This representation of their joyous meeting comes from the Dominican convent of Katharinenthal, in the Lake Constance region of present-day Switzerland.

Carved of walnut, with the original paint and gilding almost completely preserved, the figures of Mary and Elizabeth are each inset with crystal-covered cavities through which images of their infants may originally have been seen. The representation of the Visitation incorporating images of the unborn Christ and John the Baptist, found with some frequency in contemporary works from German-speaking lands, emphasizes the moment when, according to “The Golden Legend,” Saint John, being unable “to manifest his joy with his tongue,” leapt “with joy in his mother’s womb.” The Virgin tenderly places her hand on Elizabeth’s shoulder, while her cousin raises her arm to her breast in reference to her declaration, “Who am I, that the mother of the Lord should visit me?” (Luke 1:43).

Bishop Austin Vaughn (1927-2000), formerly Auxiliary Bishop of New York, who himself was arrested a number of times for prayerfully protesting in front of abortion facilities once wrote  in an article entitled The Catholic Duty to Be Pro – Life:  “It is not an accident, I think, that in the scriptures the first person, after Mary, who adored Jesus when He came into the world was St. John the Baptist….The second person who ever worshipped Jesus, after Mary, was an unborn baby, and I think God made it that way to tell us in our day and age the worth and importance of every individual right from the very beginning of life”.



Maria Heimsuchung (The Visitation) 1210, Chapel of St. Leonard Nauders Austria

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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Chapel of St. Leonard Nauders Austria

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Maria Heimsuchung – One of Three  Frescoes found in the Chapel of St. Leonard

The wall paintings in the Chapel of St. Leonard are among the most important Romanesque frescoes discoveries that have been made in North Tyrol ever. Their rediscovery goes back to 1914. Although the paintings are not completely preserved, they are among the earliest frescoes of North Tyrol and thus are important in Austria’s art history.  The latest research link these frescos to benchmark examples in South Tyrol and Graubünden and assume that the frescoes were created by 1210.

“Truly He is in haste to be about His Father’s business. Truly He is an impatient conqueror, to be thus early beginning His conquests, and laying the foundations of His world wide empire. He can not bear to be in the world for even so short a while, but sin shall feel the weight of His unborn arm…..His first mission and ministry was in the womb, and the babe unborn the first conquest of His divine apostolate…..and the Unborn Child destroys the sin and abolishes the curse of the unborn child.”   Frederick W. Faber, D.D., The Blessed Sacrament (Baltimore, MD: John Murphy Company, circa 1855), 162 163.

 



Annunciation of Ustyug 1119-1130, The Tretyakov Gallery Moscow, Russia
December 3, 2012, 10:35 pm
Filed under: Advent, Incarnation, Mother of the Lord, The Incarnation, Unborn Jesus

AROUND THE WORLD AND THROUGH THE CENTURIES WITH THE UNBORN CHRIST CHILD

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The Tretyakov Gallery

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One of the earliest images of Christ in the womb is the Annunciation of Ustyug

The Annunciation of Ustyug gained its name due to the legend that Saint Procopius of Ustyug predicted the fall of  a meteorite and other calamities near the town of Veliky Ustyug. He tried to convince the citizens to confess their sins and pray for the city to be saved. They did not believe him and only at the last minute, when the storm had already started, escaped to the church and started to pray before the icon and were saved.

The icon depicts Christ Emmanuel standing In the womb of the Virgin, giving a blessing with his right hand. On the left – the archangel Gabriel, greets the Virgin Mary and is blessing her. At the top of the center, in a blue semi-circle of the sky with gold stars the Father is portrayed with a blue halo of glory. He sits on a red throne, at the foot of which are red cherubim, and above on the sides – red and gold Seraphim. The Father holds a scroll in his left hand, and His right hand blesses Mary.

The Ustyug Annunciation in its iconography has its roots in Eastern Christian art. The point of this type of art is to explain the supernatural Conception – Incarnation of the deity. Therefore, in Russia, the Virgin with the Christ child depicted near her heart is sometimes called Our Lady of the Incarnation.

“For you must know that the sublime work of the Incarnation was the work of the whole Trinity, although it was only the Person of the Son of God who became incarnate. It was as if one who put on a tunic were helped by two standing on either side of him who held the tunic in their hands….For although the Holy Trinity is every where, nevertheless you must think of It in your meditation as being here in a very special manner, by reason of the great and unique work which is being done.”   St. Bonaventure, Meditations On The Life Of Christ, trans. Sister M. Emmanuel, O.S.B. (St. Louis, MO: B. Herder Book Co., 1934), 16.



HOW ARE WE TO HONOR UNBORN JESUS (AND ALL UNBORN BABIES MADE IN HIS IMAGE AND LIKENESS)? – CONSIDER THE MAGI

The Vision of the Magi oil on panel, Rogier van der Weyden 1399/1400 – 1464

The 3 wise men honored Unborn Jesus from afar by seeking Him and searching for Him, passionately and diligently, and by rejoicing in anticipation (Mt 2:1-10).

“Why did the Magi set off from afar to go to Bethlehem? The answer has to do with the mystery of the “star” which they saw “in the East” and which they recognized as the star of the “King of the Jews”, that is to say, the sign of the birth of the Messiah (cf. Mt 2: 2).” Pope Benedict XVI, Friday, 19 August 2005

“What amazes us each time when we listen to these words of the Magi is that they prostrated themselves before a simple baby in his mother’s arms, not in the setting of a royal palace but, on the contrary, in the poverty of a stable in Bethlehem (cf. Mt 2: 11).” Pope Benedict XVI, Saturday, 6 January 2007

Like the Magi, let us recognize that Christ came into the world as an unborn baby and a child.  The Vatican Council in Gaudium et Spes points out  “For by His incarnation the Son of God has united Himself in some fashion with every man”.  We honor our unborn and child King when we teach respect for each unborn child and pregnant mother by our example. As they fell down and worshipped – we should approach these little ones and their mothers with awe and respect no matter where we find them. As they offered gold, frankincense, and myrrh to the Christ child, we should offer our love, support, and financial assistance as needed.



HOW ARE WE TO HONOR UNBORN JESUS (AND ALL UNBORN BABIES MADE IN HIS IMAGE AND LIKENESS)? – CONSIDER ELIZABETH AND ZECHARIAH

Mary in the House of Elizabeth , Robert Anning Bell 1863-1933

Elizabeth honored Unborn Jesus by recognizing Him and then blessing Him and His mother (Lk 1:42-43,45). Zechariah honored Unborn Jesus by blessing Him, testifying to Him and rejoicing in His mission of Salvation (Lk 1:67-79). Elizabeth & Zechariah together honored Unborn Jesus by welcoming Him and His mother into their home for three months (Lk 1:56).

 “…We know nothing of what went on during those three months, but we may presume that things continued as they began. It is not likely that Elizabeth said her ‘Ave’ only once, and only once spoke of the honour she considered it to have the Mother of God in her house…. ”

“…And we must not forget the head of the household, Zachary. He, at any rate after the birth of his son, knew the secret too, for he spoke in his song of praise of the “Orient from on High (which) hath visited us.” (St Luke i. 78.) He had been ‘unable to speak,’ but Mary with her Son had been sojourning in his house, with the result that his doubts had all disappeared, and that he under stood already something of the ‘joy and gladness’ which Gabriel had promised should be his…”

From Mater Christi : meditations on Our Lady (1920). Mother St. Paul

We like Elizabeth and Zechariah should welcome Unborn Jesus with joy and faith – opening our hearts to the graces he wishes to give us. Our attitude towards all mothers and their unborn babies should also be open and joyous – we should welcome them into our lives and help them in their needs.

Mary in the House of Elizabeth , Robert Anning Bell 1863-1933



HOW ARE WE TO HONOR UNBORN JESUS (AND ALL UNBORN BABIES MADE IN HIS IMAGE AND LIKENESS)? – CONSIDER JOHN THE BAPTIST

From Salzburg Cathedral exhibit Mary Expectant with Child November 25, 2006 – January 7, 2007

Unborn John honored Unborn Jesus by expressing joy at His Presence (Lk 1:44).

“When Elizabeth heard Mary’s greeting, the infant leaped in her womb, and Elizabeth, filled with the holy Spirit, cried out in a loud voice and said, ‘Most blessed are you among women, and blessed is the fruit of your womb. And how does this happen to me, that the mother of my Lord should come to me? For at the moment the sound of your greeting reached my ears, the infant in my womb leaped for joy.’ ” Luke 1: 41-44.

“John was ‘filled with the Holy Spirit even from his mother’s womb’ by Christ himself, whom the Virgin Mary had just conceived by the Holy Spirit. Mary’s visitation to Elizabeth thus became a visit from God to his people.” Catechism of the Catholic Church, Article 8, 717.

“… He (John) inaugurates the Gospel, already from his mother’s womb welcomes the coming of Christ, and rejoices in being “the friend of the bridegroom”, whom he points out as ‘the Lamb of God, who takes away the sin of the world’.” Catechism of the Catholic Church, Article 3, 523.

We can honor Unborn Jesus by our recognition of Christ’s love for the unborn and our joy in His incarnation as an unborn baby. We can also honor Unborn Jesus when we share the pro-life message joyfully and give witness to the sanctity of each unborn child made in the image and likeness of our Unborn Lord.

St. John the Baptist (pointing to Unborn Jesus)



UNBORN CHRIST AND CORPUS CHRISTI: THREE PARALLELS
June 10, 2012, 4:59 pm
Filed under: Incarnation, Mary, The Eucharist, The Incarnation

Annunciation Benedictine, Art Collections St. Lambrecht, Germany 18th Century, unknown artist from Styria

There are many parallels between Christ Unborn and Christ Eucharistic. Here we present just three biblically focused parallels in honor of Corpus Christi Sunday (Corpus Christi means ‘Body of Christ’).

1. The first parallel is between the words the Incarnate Christ spoke to His Father immediately upon entering the world (see Heb. 10.5-10), particularly: “Sacrifices and offerings thou hast not desired, but a body hast thou prepared for me…Lo, I have come to do thy will, O God…’” Compare this to the “words of consecration” spoken by our Lord at the passover Last Supper; “This is my body which is given for you…”, followed by the words of offering He spoke in the Garden of Gethsemane; “Father….not my will, but thine, be done.” The same human body prepared for Christ, would be offered up by Him on the cross after being truly and sacramentally presented during the Passover by Christ Himself.

2. Understanding that Mary is the Ark of the New Covenant, unfolds the second parallel for us; see Rev 11.19 -12.2. Also, recall that both the Old Testament Ark of the Covenant and Mary had both been ‘overshadowed’ by the Holy Spirit. The 3 month visit of (pregnant) Mary to the home of Elizabeth and Zechariah a few miles west of Jerusalem, is actually prefigured in the Old Testament when the original Ark of the Old Covenant (containing Manna from Heaven) is brought by King David to the home of Obededom, located a few miles west of Jerusalem for 3 months (Sam 6.1-13). David dances for joy before the Ark, unborn John the Baptist leaps for joy before pregnant Mary. David says, “How can the Ark of the Lord come to me?” Elizabeth says, “…why is this granted me, that the mother of my Lord should come to me?” Note: The Manna was the bread which came down from heaven, and Jesus referred to that Manna years later when He proclaimed Himself to be the Bread of Life (Jn 6.31-35).

3. The third parallel occurs in Bethlehem. Mary and Joseph enter Bethlehem with the Unborn Christ Child, to fulfill prophecies concerning the birth of the Messiah. The name “Bethlehem” means “house of bread”. Mary carries within her “the bread of life” – and this Unborn Jesus who is “the Bread of Life”, will be born here for us. He is the “the true bread from heaven” (Jn 6.32) sent into the world for our nourishment and Salvation!



He comes in order to embrace creation anew
May 15, 2012, 6:45 pm
Filed under: John Paul II, The Incarnation, Unborn Jesus

Annunciation – as the Hunt of the Unicorn by Erfurt St. Severi (1470-80)

“The time for the fulfilment of this promise for mankind and for all creation arrived when Mary, by the power of the Holy Spirit, became the Mother of the Son of God.

He is the firstborn of creation (cf. Col 1:15).

Everything created was eternally in him.

In coming to the world, he comes into what is his, as Saint John says (cf. Jn 1:11).

He comes in order to embrace creation anew, to begin the work of the world’s redemption, to restore to creation its original holiness and dignity.

He comes to make us see, by his very coming, the particular dignity which belongs to created nature.”

JOHN PAUL II   Address at the Liturgy of the Word  12 June 1999

Detail of Unborn Christ Child – Annunciation – as the Hunt of the Unicorn  by Erfurt St. Severi (1470-80)